Erie Kid

(The following is an excerpt from my work in progress, “Not From Around Here.”)

My first word was no.

I don’t recall the circumstances. Presumably I was wobbling uneasily in someone’s lap and some well-intentioned relative asked me the sort of stupid question that is always posed to the mute and helpless. I’ve seen  photographs of a scowling, not particularly adorable infant, and I’ve been told that this was me at the start. In many ways, it’s me now, apart from the infant classification. At this point in the arc of my existence I have passed the apex. While I am not yet hurtling toward the bumpy landing, my view from this moment suspended between the immutable past and the rapidly diminishing future has freed me in a way I never anticipated. I no longer feel the need to placate.

Clint Eastwood once famously said, in one of his laconic roles, “It’s a wise man that knows his limitations.” Though I do not qualify in terms of gender or intelligence, I have finally learned to embrace that line. Others may find ingenious solutions to humankind’s problems. I don’t expect to. I continue to support their efforts in my small way, but I’ve come to accept that the whiz kid dreams of my youth were doomed from the start. In order to be a whiz kid, one must first be a whiz. And, presumably, a kid. As a child, I was neither.

Although I eventually learned how to smile on command, as all good children must, I never lost my inner scowl. My older brother, in contrast, didn’t know the meaning of the word. The sunny first child, born long before my parents’ marriage had lost the blinding luster of romance and entered into the drab plateau of bitterness, brooding and discontent, my brother never once doubted that he was worthy of all the love and attention that was showered upon him. I think I was introduced into the scenario as a kind of bonus playmate for him. What a disappointment I must have been. My brother wanted worship. Yet you can see even in the tiny snapshots of our first encounters the measuring look in my infant eyes.  Long before I had the vocabulary to express my impression of this noisy group of cooing, grinning people constantly jostling me and urging me to smile, I can imagine my little brain muttering irritably, “Why should I?”

Of course, a few months later I was sitting up by myself, chewing on non-food items and generally finding some amusement in the family who seemed so intent on pleasing me. I had learned to smile by then, but I still didn’t understand why they all seemed so keen on seeing me do it. Nevertheless, I had become philosophic. I cost me nothing. It meant something to them. I had nothing better to do. I smiled for the camera. But inside, the little scowl was on standby.

It became easier for me as I fell in love with first my mother, then my father, and eventually even my goofy brother. My mother, whose pale blue eyes sparkled like the light on a clear mountain lake, had a dimple which accentuated her easy smile, and she had a voice like birdsong, lilting, melodic and enchanting. All of this would have been even more wonderful if I had not early on perceived that I had arrived on the scene too late, or possibly in the wrong gender, to win her unconditional affection. I think that possibly because I was a girl it made it almost impossible for her to sort out her feelings for me, because her feelings for her own mother and her only sister were such a complex amalgam of resentment, envy and confusion. Nevertheless, I think she did care for me, as much as she could. But it wasn’t like the delirious love that she felt for my older brother. I guess I can’t blame her. He was more lovable from the get-go.

I , on the other hand, was irritatingly intellectual even as a toddler. I taught myself to read before I was six and by the time I got to first grade in public school in Falls Church, Virginia, I was considered something of a freak by the school administrators after I was taken to the principal’s office to demonstrate my prowess and did so by reading the first few pages of “Black Beauty” flawlessly. They didn’t know what to do with me. They seemed to think my uncanny ability to translate symbols on a page into spoken words indicated some unusual intelligence. They didn’t seem to realize that I was not a whiz kid. I was just a kid who loved to read more than almost anything else. But I’m getting ahead if myself.

The point is, I was born with a certain, shall we say, analytical bent, which set me apart from my fellow toddlers. I tried to fit in. I tried to play games, to care about dolls, to giggle. I don’t think I fooled anyone, least of all my cousins who lived in Erie, PA, where I was born. We lived in Erie, too, for the first few years of my existence, but I remember so little of those days that whatever heritage I can claim of Erie comes from the many summer vacations and winter holidays spent there, when, for me, my grandmother’s musty, old house represented a Shangri-La of possibilities. I adored my grandparents, and their house, which was full of secret stairways, creaky sounds, wonderful porches. The room I stayed in had been the nursery, and still had the fading pale blue wallpaper with pink giraffes and elephants, and a window overlooking the giant catalpa tree in the back yard. The room also had a desk and typewriter, on which I composed my earliest journalistic works.

As an adult I have rarely encountered people who know anything about Erie. Once a chatty checkout clerk at some hardware store raised his eyebrows when I told him I’d been born there. “Dreary Erie,” he said, admitting that he had grown up there and couldn’t wait to escape. I wondered if the excitement of being a checkout clerk had satisfied his thirst for adventure.

Perhaps because I was most often only a visitor to Erie, my attitude was different. At night I would lie in bed and listen to the trains, their distant horns calling to each other like land whales, yearning for something always out of reach.  I had complete freedom at my grandmother’s. In those days no one worried about child abductions, or gangs or much of anything. The War was over, the Depression was history and everyone was glad to be alive, or so it seemed to me as an eight-year-old kid roller-skating alone on the brick sidewalks around my grandmother’s block. Sometimes friendly neighbors would talk to me as I rolled by. They’d ask who I was, and I was always surprised that they took an interest. And when I told them that I was Lyman Shreve’s grandchild they would smile and wish me well. I didn’t realize at the time that this type of encounter was the tip of the iceberg in my life.

Had I been someone familiar, someone who looked like she belonged there, like as not the neighbors wouldn’t have spoken, or if they had, it would have been to say something different. But they could tell I was not one of them. Only many years later did I begin to wonder why it was that no matter where I went, or how long I stayed anywhere, that sense of not belonging anyplace remained constant. Sooner or later, the question would be asked, always in that same slightly condescending tone: “You’re not from around here, are you?”

The Yearning Curve

Ripeness is all, the fellow said.

Tried Green Tomatoes
Tried Green Tomatoes

If that’s true, I got nothin’. Plenty o’.

This is the fifth summer I’ve been gardening in Seattle, and you might think I would have made the adjustment by now. You’d be wrong. The problem is, I’m still thinking in Virginia summer terms. As in: July means hot. August means “oh my freaking god thank you for air conditioning.”

Here in Seattle, of course, many residents eschew air conditioning altogether. The temperatures so rarely rise into the 80s, and the humidity, like the rain, vanishes after July fourth. Vegetables which thrive on heat tend to sulk in Seattle. I know the feeling.

In a Virginia summer there are things you can grow without even trying. Zucchini the size of kayaks. Peppers aplenty. And tomatoes. Aaah, tomatoes.

Every winter when the seed catalogues arrive I try to restrain myself. Remember last year? I say to myself. Remember those two scrawny tomato plants you started under lights in February? Remember the pathetic crop of puny rock hard tomato-shaped things that resulted? Yes, I reply, but this year will be different.

Suffice it to say, it never is. At least, not in a good way. This year we seem to be bypassing the summer season entirely. We had two or three days of 90 degree peaks, but my tomato plants weren’t fooled. They waited it out, and sure enough, the heat swept off to the East Coast, where people understand it.

So here it is, nearly the end of August, and my tomatoes are the size  and color of green olives. At this point, personally, I’d prefer the olives.

At the start of the season here in June, a gardening friend of mine gave me a fine big healthy tomato plant she’d nurtured in her garden shed. Ironically, it was an heirloom variety, a “Green Zebra,” and supposedly it would have eventually produced tasty, edible, green tomatoes. I’ll never know. The night temperatures are already getting down into the 50s. The days are rapidly getting shorter. There will be no ripe tomatoes, either green or red, from my garden.

Will I ever learn? Doubtful. It’s human nature to strive for that which is unobtainable, be it world peace, a publishing contract, or a ripe tomato. All things considered, I think my chances are best with the tomato quest.

Honk If You Love Books

Always pack a paperback.
Always pack a paperback.

Not everyone does, you know.

If you believe the statistics commonly tossed around on the Internet, 80 percent of Americans didn’t read or buy a book last year.

Yet at the same time, the statistic munchers also assert that 80 percent of Americans claim they’d like to write a book. Picture the Venn diagram.

Well, we all know numbers lie. And words can too. But for my money, words deceive with more grace and wit and style. Thus, I number myself among the 80 percent with authorial ambitions. I’m a consumer of books, a lifelong lover of libraries and a connoisseur of book stores.

If you like bookstores, you’ll love Powell’s.

We visited Portland for the first time this week. I had a number of touristic objectives. We strolled through the famous Japanese Garden, admired the amazing blooms at the International Rose Test Garden, and marveled at the elegant beauty of Lan Su Yuan, the classical Chinese garden in downtown Portland. We stood in line for Voodoo Doughnuts, savored Stumptown Coffee and took in a Bite of Oregon. We heard some blues, some cool jazz, and a lot of high energy street music.

But of all the pleasures of Portland, the only one that made my heart beat faster was the city within the city: Powell’s City of Books.

I’ve been to The Strand in New York City. I’ve been to Elliott Bay Books in Seattle. I had high hopes that Powell’s would be their equal. It’s more. Much more. It’s a world of wonders, staffed by acolytes of the written word who not only guide customers through the labyrinth of volumes, but also seem to care about books.

Strong free-spirited independent book stores are a dying breed in this country. Portland is blessed to have Powell’s. Visit if you can.

The Artful Cat

Attitude Is Everything
Attitude Is Everything

Some people like cats for their frisky playfulness. Others admire their sleek style, or their affectionate natures (where applicable). And of course some people loathe cats. You know who you are. Get out now while the getting’s good. Because today’s topic is the way art imitates cats, and vice versa.

I have worked for a succession of various cats over the years. Some were loveable. Some not so much. But in one area they were all equally endowed. For those of us who are susceptible to it, cats possess a degree of glamour unmatched in the human sphere except in the case of babies and super-models. But while most babies eventually lose their charm, and even super-models fade with time, cats retain their decorative quality for years.

I’m a sucker for the way cats fit themselves into the landscape. To me, a garden without a cat lacks something fundamental. Not everyone looks at the world through this furcentric lens, but some artists seem to share my view.

In the months leading up to our move out here, we visited the Vancouver Art Gallery in British Columbia, and there I saw an oil painting that spoke to me on every level. Painted by William Raphael in 1908, the work , titled “Hollyhocks,” captures the lovely untidiness and happy colors of a flower which has always reminded me of the rural Virginia countryside where I first saw it bloom. But what made the painting irresistible for me was the understated presence of a cat, lurking on a fence above the blooms.

Hollyhocks, 1908, William Raphael
Hollyhocks, 1908, William Raphael

Well, I knew I could never own the painting, but I thought maybe someday I could recreate the image and photograph it. After all, I had a cat. All I had to do was grow some hollyhocks and wait, right?

So it’s been almost five years since I got that bright idea, and I’ve come to accept that it’s much easier for art to imitate life than for life to imitate art. Because, while I have managed to grow some pretty swell hollyhocks in the last couple of years, the cat has been less than cooperative. There’s a fence right behind the flowers, just right for cat sitting. And many’s the time she has sat upon it. Just never when the damned hollyhocks are in bloom.

Today she deigned to offer a compromise and lounged on the bench which sits in front of the hollyhocks. The image I managed to capture in no way matches the arresting beauty of Raphael’s canvas. If you want to see that you’ll have to visit Vancouver. As for me, I’ll be waiting by the bench. Sooner or later the cat will come back.

Loosly Blonde

When you are a girl like I it seems very important to get educated. Because there is a lot to learn, such as French, which is very hard because it seems only French gentlemen speak it and they are very hard to understand for a girl like I. So I am always interested in books because you can learn a lot just by reading them and not have to listen to any French gentlemen.

So yesterday my girlfriend Gladys and I went shopping and we went into a delightful store which had lots of books and one of them was called “Gentlemen Prefer Blondes” and it was only two dollars which is quite a bargain because it turned out to be two books inside of one. And the really intreeging thing is that I learned they are both by the same arthur who is a lady named Anita Loos.

A Bargain Blonde
A Bargain Blonde

So I thought this would be a really interesting book for a girl like I because I was blonde for many years and it always seemed that gentlemen were preferring me quite a lot. But it turns out the book is not really about hair but is all about a very refined girl like I who likes to go shopping and drink champagne with gentlemen who buy diamond tiaras for girls like I.

But I was surprised to learn that the book is an anteek, because it was written in 1925, which was before I was even born blonde. Usually anteeks cost ever so much money, which always seems strange to a girl like I because new things seem so much nicer, but this anteek book was quite a bargain even though I have not learned any French from it yet. But maybe that will happen in the second book, which is called “But Gentlemen Marry Brunettes” and is a sort of  seequell, which is when more things happen, which it seems to me is very true to life.

And so I wreckommend this book to any girls which are interested in getting educated about how to act refined, even if they are not blonde, because in this life you never know when a tiara might come in handy.

Walking and Gawking

Octopia
Octopia

Among the pleasures on our frequent walks around Seattle are discoveries of unexpected art, some designed and installed by humans, some the work of Nature, some the transitory miracles of a unique moment.

My attempts to capture the sense of wonder that these sightings inspire are doomed from the start. Two dimensions are almost always trumped by three, or four, and at times it seems to me that there are far more than that. But that’s probably just the flashbacks talking.

Anyway. In this season when the city is besieged by pirates, Vikings, and tourists, the urge to get out and explore tempts us off the beaten paths. Most recently that led us over to Alki and the Whale Tail Playground, where the undersea theme is played out in three dimensions. I was drawn to the life-size cast-bronze octopus, which anchors one edge of the “Swimming Stars” entry plaza designed by Seattle artist Lezlie Jane. The children clambering over the nearby whale tail slide and the replica lighthouse may be unaware of the thoughtful elements at work in the colored and stamped concrete design studded with yellow mirrored stars in Jane’s tribute to Cetus, “The Great Whale Constellation,” but surely the sparkle of creative fire must catch in some young minds while playing there.

Come up and see me sometime.
Come up and see me sometime.

At Lincoln Park, a short distance south of Alki, we came upon an example of Nature’s artful sense of humor in a striking Madrona tree. Classic mythology tells of dryads, tree nymphs whose life depends on the trees to which they are connected. Admittedly, the first thought that went through my mind at the sight of this tree was that it called out for a caption contest. But bawdy subtext aside, it’s a work of art. And if you have the time to listen, it will speak to you.

Vampyres-R-US

I had thought I was finished with vampires.

You know how it is. One minute you’re obsessed with the whole ‘creature-of-the-night-immortal-love-hunk’ idea and the next . . . not so much.

And with the plethora of vampire-related novels, television shows, and films glutting the marketplace, it seemed inevitable that the mania for all things fangish would play itself out. And I was fine with that. Until I took one last bite. Now I’m ready for more.

Or rather, Moore, as in Christopher Moore, whose hilariously snarky Bite Me simply won my heart. Yes, it’s wildly inventive, raunchy and irreverent, as are all of Moore’s works. But there’s also a cleverly hidden soft delicious core of sappy goodness that—well, I’m a sucker for sappy goodness, what can I say?

It’s not a book designed to appeal to the masses, which is probably just as well. Nor is it likely to win any awards from highbrow literary types who sneer at pop fiction. But, you know what? There are times when I don’t want to read a book that’s going to break my heart, or completely hammer me with the unrelenting misery of much of the world. Yeah, I know it all needs to be fixed. But every now and then, we who hope to make things better need a break from all the angst and anguish. And for that, I’m deeply, truly grateful for Christopher Moore and his brilliant comic gift.

My advice for the world weary? Next time the news makes you want to do something unhealthy, try Bite Me instead. It may surprise you.

Lurching Toward Freedom

All right, so the U.S. is out of the World Cup again, and Andy Roddick went down swinging before the semifinal at Wimbledon, and the Mariners, well, they’re still trying. But we still have one thing to celebrate, right?

That’s right, the freedom to dress up as a zombie and lurch through the streets with thousands of like-minded undead neighbors all united in the common drive to wrest the world record back from the Brits. And what record would that be, you ask? Why, the record number of zombies gathered in one place at one time, of course.

The proudly independent Fremont neighborhood in Seattle held the record last year with a tally of 3,894, but later they were usurped by the British, who mustered 4,026 zombies to claim the title. Organizers of this year’s Zombie Walk, slated for tomorrow, July 3, in Fremont, are hoping to smash the record with a massive turnout of gruesome participants.

It’s more than just the fun of creeping people out with homemade gory effects. There’s also a blood drive (hah), a food drive to benefit Solid Ground, a zombie concert and a screening of a classic zombie film.

The fact that zombie walks have become a regular feature of the modern cultural landscape worldwide, with annual events taking place from Brisbane to Pittsburgh in an atmosphere of friendly, albeit twisted, competition, says something about our species. I’m not sure what. But for some reason I find it cheering.

It’s not that I’m a huge fan of the genre, or that I’ve succumbed to the anti-charm of zombie chic, but rather I like that it’s a game without rules that anyone can play. It takes a lot of coordination, dedication and effort to master most games. But anyone can be a zombie. You just have to stumble along, aimlessly, moaning a bit from time to time. Perhaps this explains the popularity of the idea. There’s a little zombie in all of us.

Distractions

Poppy, opiate of a gardener.
Poppy, opiate of a gardener.

Karl Marx once wrote that “religion is the opiate of the masses.” If he were alive today I think he might be tempted to alter that assessment.

Here and now, as I find myself caught up in the enthusiasm for World Cup, Wimbledon, and baseball, it seems to me that an argument could be made that sports are the modern opiate of the masses.

It’s understandable. As the world we live in grows increasingly complex, its problems more critical, its resources more threatened, its human population more recklessly contentious, sports offer an escape from the conflicts of the real world. How much easier to simply concentrate on a game. And if you need a frisson of conflict to add savor to your sports, you can always indulge in the ever-popular critiquing of the players, or questioning the line calls, or finding fault with the umpire’s decisions.

While the bludgeoning continues in the world outside, in the ballpark, on the playing fields, on the green lawns of Wimbledon, a level of decorum, balance and harmony prevails.

I’m no expert on politics or sports. But I have played a game or two, and I know how hard it is to keep your eye on the ball. That’s really the secret to most sports, and to much of life as well. Distractions multiply. Some think only the young are prone to distraction. But the older you get, the more vulnerable you become, as memory banks overflow with associations and emotions. You never know when some stray sight will trigger a cascade of memory that will utterly floor you.

The trick is to stay alert, stay nimble, and keep your eye on the ball. Even when it’s not a ball.

What’s News?

The news is old as humankind. It moves in mysterious ways, its wonders to report.

We feed on it, stoke the fires of rumor, inhale the smoke of conjecture. We are a species who thrive on stories. We respond to drama. We want heroes.

For the last few centuries the primary vector of news was paper, but since the advent of the electronic age the medium has undergone a series of rapid changes which for better or for worse have changed, it seems irrevocably, the way in which news is shared.

I am saddened by the diminished power of newspapers in our time. The once great papers of the past are fighting for their economic lives in a world increasingly swayed by the glib sophistry of ranting opinionists on television, radio and internet. Few media outlets have the budget or the time for thoughtful, in-depth analysis anymore. Everyone seems in a race to jump to conclusions, which are refashioned daily, sometimes hourly, depending on the pace of events.

Such flexibility has its virtues. But on the whole, the credibility of the entire news media has been sorely damaged by continuing compromise with economic and social reality. We are no longer a nation of readers, if we ever truly were. A nation of viewers is far more easily misled it seems.

When I was growing up in Northern Virginia I was spoiled by The Washington Post, a great international paper which has somehow managed to survive, so far. To maintain correspondents around the world, on the ground, doing actual reporting, is a luxury few modern papers can afford. Most crib their news from the wire services. They reheat the stories with a slab of opinion, serve them with a side of “who cares, it’s not happening here,” and get on with the important news of what happened at the local school board meeting last night. Because, the truth is, for most of us, the news that matters most is the news that hits home. In our schools, on our streets, in our communities.

I learned this when I  worked at a small local newspaper in Warrenton, Virginia, where I had the good fortune to see how much work it takes to provide news coverage that was honestly fair and balanced (as opposed to the much-touted and completely bogus “fair and balanced” product so widely dispersed these days). The Fauquier Citizen was an independent newspaper in a county where the leading news source was firmly in the pocket, and lining the pockets, of the old money, who wanted the news, and the county, to stay just the way it had always been, since before the Civil War.

The rivalry was intense between the newspapers, and competition lent zest to our quiet little rural life. But, eventually, after some fifteen years, The Citizen packed up its tents and closed its doors, following the route of hundreds of small independent papers around the nation in the last twenty years.

It saddens me to think there will come a day when no news will be printed on paper. And not just because I will miss all the little things about newspapers, although I will – the sounds alone – the slap of the daily hitting the porch, the rustle of pages over coffee, the snap and crackle of folded sections.

Yet a newspaper is so much more than an information delivery system. A newspaper organization is an ecosystem. An endangered one.

I just read a wonderful book called The Imperfectionists by Tom Rachman about one such marvelously complex and perilously fragile newspaper organization. Rachman, a former foreign correspondent for the Associated Press stationed in Rome, also worked as an editor at the International Herald Tribune in Paris, and his familiarity with the drama, the dark humor and the human foibles that make newspaper work so maddening and yet so addictive lends authority to the novel. Covering a hundred year period in a series of interelated stories, the novel builds a brilliant portrait of the intricate organism that is a newspaper. The writing is crisp, evocative, moving and even funny at times.

But, ultimately it’s an obituary, mourning and celebrating the extraordinary life of a newspaper. We who have known them must count ourselves lucky.